4 hours ago
Friday, 28 February 2014
Remembrance of tracks past
Many things occurred in the time I spent away from the blog: we loved and lost a hamster, I bought a cuckoo clock, I saw Pete Molinari at that gig in St Pancras Old Church and plenty more besides. Just lots and lots of stuff, one item of which was that I discovered the second of the long lost tracks that I mentioned in the original lost long tracks post. I described it as a dub track that sounded, "quaintly science fiction spacey with a very tight whirring noise running through it". It was this. Having found it I feel strangely un-jubilant.
Labels:
dub,
long lost tracks,
reggae
Wednesday, 26 February 2014
The amazing technicolour dream flag
As I've said before somewhere I hope that Scotland does vote for independence, because I think there's a reasonable chance that the Scots will create a fairer society that will lay bare the lie that there's no viable alternative to the policies pursued by the three main parties in the UK.
And now the prospect is made all the more enticing by the opportunity for a new flag. So far I'm massively into that one up there. The Union Jack is a pretty good flag design-wise but, you know, traditions are there to be smashed into tiny little pieces and reassembled in groovy new forms.
And while we're tinkering with the constitution of the country why don't we get rid of the monarchy? Then we'll have all the fun of picking a new national anthem. My vote is for All You Need Is Love.
Labels:
constitutional reform,
flags,
the national anthem
Monday, 24 February 2014
Slight return
Where I live the post man turns up before I leave for work - we're quite lucky in that respect, other people speak wistfully of such a state of affairs, bracketing it with phenomena like snow on Christmas day, steam trains, coal fires etc. Anyway, today I was heading for my car when I saw the postie's little red van swing into our road, so I decided to hang about.
My willingness to be slightly less early for work was rewarded with an LP shaped parcel, "That psychedelic jazz comp from the German vendor I shouldn't wonder", I thought to myself as I snipped through the packaging in the kitchen. But no, even better, a couple of albums by Myron & E backed up by The Soul Investigators. I think I've mentioned the latter here and there in connection with Nicole Willis, and how highly I rate her first album.
Released on Timmion, it really is a very consistent label. Little Ann's Deep Shadows was one of my favourite albums last year (or maybe the year before - whatever, it's very good) and I've listened O.C. Tolbert's Grown Folks Thing to death over the last few months (but haven't felt the need to buy the album yet).
Something worth mentioning maybe: barcodes - the scourge of the deep-fried retrophile. I wouldn't say that the issue works me into a frenzy, but I'd perhaps go so far as to say they irk me. Anyway, these guys are so retro-sensitive that the barcodes are on stickers attached to the cellophane wrapping. Normally I peel that stuff off, but I'm keeping these little stickers on account of the fact that they're so snazzy.
My willingness to be slightly less early for work was rewarded with an LP shaped parcel, "That psychedelic jazz comp from the German vendor I shouldn't wonder", I thought to myself as I snipped through the packaging in the kitchen. But no, even better, a couple of albums by Myron & E backed up by The Soul Investigators. I think I've mentioned the latter here and there in connection with Nicole Willis, and how highly I rate her first album.
Released on Timmion, it really is a very consistent label. Little Ann's Deep Shadows was one of my favourite albums last year (or maybe the year before - whatever, it's very good) and I've listened O.C. Tolbert's Grown Folks Thing to death over the last few months (but haven't felt the need to buy the album yet).
Something worth mentioning maybe: barcodes - the scourge of the deep-fried retrophile. I wouldn't say that the issue works me into a frenzy, but I'd perhaps go so far as to say they irk me. Anyway, these guys are so retro-sensitive that the barcodes are on stickers attached to the cellophane wrapping. Normally I peel that stuff off, but I'm keeping these little stickers on account of the fact that they're so snazzy.
Labels:
funk,
retrophilia,
timmion records,
vinyl
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